Section outline
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3.1: Objective vs. Subjective Meaning
The distinction between subjective and objective information was key to the development of science and the philosophies that emerged during the Enlightenment (1685–1815). René Descartes (1596–1650), the French philosopher, clearly articulated this concept when he famously stated "I think, therefore I am". We realize the objective dimension of the world through our senses and through instruments that measure our environment. For example, using methods such as carbon dating, we can analyze the pigments artists used when they created cave paintings and arrive at objective determinations about when they were produced. We can also agree that certain stylistic features belong to a particular period of time. The subjective dimension is less tangible and rooted in our personal experiences. We not only encounter art as raw sensory data, but we also bring our own biases, expectations, needs, and prior art education when we formulate our judgments.
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Read this section for more on the differences between objective and subjective viewing. Think about how these factors, as well as other aspects that make us individuals, play a role in shaping our personal and social subjective responses to a work of art.